Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 50
... become in the Renaissance a center for the re- vival of theater . In the 1480's Pomponius Laetus and his Academia staged Seneca's Hippolytus on a raised platform in a Roman square and Rome was to be- come a city of theater in the 1490's ...
... become in the Renaissance a center for the re- vival of theater . In the 1480's Pomponius Laetus and his Academia staged Seneca's Hippolytus on a raised platform in a Roman square and Rome was to be- come a city of theater in the 1490's ...
Seite 54
... become ambig- uous , as we see in Ventidius's remarks about the dan- ger of being too successful as a captain under ... becomes the new stage ; for politics in the empire now works through the kind of extravagant spectacle Enobarbus ...
... become ambig- uous , as we see in Ventidius's remarks about the dan- ger of being too successful as a captain under ... becomes the new stage ; for politics in the empire now works through the kind of extravagant spectacle Enobarbus ...
Seite 126
... becomes a male wound while the breast becomes a female phallus . Adelman argues that the mother's attitude requires the son to translate his oral needs into warfare and his vulnerabil- ity into aggression ; these translations become his ...
... becomes a male wound while the breast becomes a female phallus . Adelman argues that the mother's attitude requires the son to translate his oral needs into warfare and his vulnerabil- ity into aggression ; these translations become his ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words