Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 186
... Ceremony and his prayer to the God of battles have no effect upon the English , who of course remain as united as ... Ceremony for Divine Right . With no claim to Divine Right and with no trust in Ceremony , Harry is afflicted with royal ...
... Ceremony and his prayer to the God of battles have no effect upon the English , who of course remain as united as ... Ceremony for Divine Right . With no claim to Divine Right and with no trust in Ceremony , Harry is afflicted with royal ...
Seite 191
... Ceremony , the high office nevertheless confers its magnitude upon him . The play's almost obsessive concentration on the rhetorical figure of the king - on Harry's voice addressing his courtiers , his soldiers , the French , Katherine ...
... Ceremony , the high office nevertheless confers its magnitude upon him . The play's almost obsessive concentration on the rhetorical figure of the king - on Harry's voice addressing his courtiers , his soldiers , the French , Katherine ...
Seite 376
... ceremony is at work throughout the play . Caesar's first appearance shows his concern about ceremonies as he enters speaking about the Lupercalian rite and his desire to have Antony touch Calphurnia . " Set on , " he commands , " and ...
... ceremony is at work throughout the play . Caesar's first appearance shows his concern about ceremonies as he enters speaking about the Lupercalian rite and his desire to have Antony touch Calphurnia . " Set on , " he commands , " and ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words