Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 27
... comedy " : its hallmark is the acceptance of the unac- ceptable . The fact that we have to come to terms with is that comedy always has within it the seed of black comedy ; acceptance can easily drift into over - accep- tance . There is ...
... comedy " : its hallmark is the acceptance of the unac- ceptable . The fact that we have to come to terms with is that comedy always has within it the seed of black comedy ; acceptance can easily drift into over - accep- tance . There is ...
Seite 28
... comedy . Perhaps it would be saying too much to propose that the writing of tragedy and comedy is essential to a healthy political order . But the moods out of which these forms come , and which they may nourish , are desirable in , if ...
... comedy . Perhaps it would be saying too much to propose that the writing of tragedy and comedy is essential to a healthy political order . But the moods out of which these forms come , and which they may nourish , are desirable in , if ...
Seite 206
... comedy of international romance . This too , and in a specially significant way , is a form of comedy easily accommodated by official historiogra- phy . For in victory , it would seem , official historiog- raphy adopts the form of ...
... comedy of international romance . This too , and in a specially significant way , is a form of comedy easily accommodated by official historiogra- phy . For in victory , it would seem , official historiog- raphy adopts the form of ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words