Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 186
... course remain as united as before ; but they do call into question the aesthetic and thematic unity of Henry V. However foreordained the outcome of Agincourt may be from the standpoint of the audience , Shakespeare takes unusual pains ...
... course remain as united as before ; but they do call into question the aesthetic and thematic unity of Henry V. However foreordained the outcome of Agincourt may be from the standpoint of the audience , Shakespeare takes unusual pains ...
Seite 215
... course art is long , life short . I would prefer to qualify the statement by thinking that Shakespeare reads , real- istically , the meaning of his King's life , a life rendered significant because of Hal's own collision course with his ...
... course art is long , life short . I would prefer to qualify the statement by thinking that Shakespeare reads , real- istically , the meaning of his King's life , a life rendered significant because of Hal's own collision course with his ...
Seite 291
... course , the usual Roman offi- cials , and political and religious customs familiarly referred to ; and we have the Roman mythology and pantheon . But we are also given a good deal of Roman history worked into the background . Even the ...
... course , the usual Roman offi- cials , and political and religious customs familiarly referred to ; and we have the Roman mythology and pantheon . But we are also given a good deal of Roman history worked into the background . Even the ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words