Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 180
... dramatic ideas by reference to pre - existing plays . No Puttenham or Abraham Fraunce , no Sidney or Ben Jonson ever troubled to distinguish between the comical and the tragical history as dramatic forms . It is only from the plays ...
... dramatic ideas by reference to pre - existing plays . No Puttenham or Abraham Fraunce , no Sidney or Ben Jonson ever troubled to distinguish between the comical and the tragical history as dramatic forms . It is only from the plays ...
Seite 293
... dramatic technique of Julius Caesar reinforce the play's symmetry and offer insight into its meaning . ] A few plain figures may provide the simplest approach to the problems of play structure and dramatic tech- nique in Julius Caesar ...
... dramatic technique of Julius Caesar reinforce the play's symmetry and offer insight into its meaning . ] A few plain figures may provide the simplest approach to the problems of play structure and dramatic tech- nique in Julius Caesar ...
Seite 294
... dramatic , is structured by a few historic events which , as such , are privileged and capture preceding and ... dramatic structure . Whereas on the level of dramatic and psychological issues , the play moves from duality before to unity ...
... dramatic , is structured by a few historic events which , as such , are privileged and capture preceding and ... dramatic structure . Whereas on the level of dramatic and psychological issues , the play moves from duality before to unity ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words