Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 159
... epic , " while Stříbrný has maintained that " he was both forced and inspired to create a new dramatic genre , what we might almost call an epic drama . " Scholars have repeatedly focused on the role of the Chorus in exposing the ...
... epic , " while Stříbrný has maintained that " he was both forced and inspired to create a new dramatic genre , what we might almost call an epic drama . " Scholars have repeatedly focused on the role of the Chorus in exposing the ...
Seite 220
... epic , noting the tension that results from the opposing notions of epic ideal and political reality in the play . ] Among the many points of disagreement in criticism . of Henry V is its relation to epic . For some critics the play ...
... epic , noting the tension that results from the opposing notions of epic ideal and political reality in the play . ] Among the many points of disagreement in criticism . of Henry V is its relation to epic . For some critics the play ...
Seite 221
... epic , not epic itself , that most concerns Shakes- peare in Henry V. The play includes a spokesman for this golden world— the Chorus , which serves throughout as a kind of Sid- neyan epic voice , mediating between events on stage and ...
... epic , not epic itself , that most concerns Shakes- peare in Henry V. The play includes a spokesman for this golden world— the Chorus , which serves throughout as a kind of Sid- neyan epic voice , mediating between events on stage and ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words