Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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... human action . The plot , the story of a series of actions which leads to prosperity or misfortune , is the soul of the play and that which guides all else , including the portrayal of psychological affections . Human virtues and vices ...
... human action . The plot , the story of a series of actions which leads to prosperity or misfortune , is the soul of the play and that which guides all else , including the portrayal of psychological affections . Human virtues and vices ...
Seite 16
... human virtues . Shakespearean characterization thus seems to proceed from an understanding of human being as manifested in perennial types accommodated to the usages of regimes and further specified by personality . II Shakespeare's ...
... human virtues . Shakespearean characterization thus seems to proceed from an understanding of human being as manifested in perennial types accommodated to the usages of regimes and further specified by personality . II Shakespeare's ...
Seite 233
... human vulnera- bility of " great greatness " ( IV , i , 251 ) encompasses the heart of the ambiguity so pervasive throughout the drama . His comment to Bates while he himself is dis- guised as a fellow common soldier has the similar ...
... human vulnera- bility of " great greatness " ( IV , i , 251 ) encompasses the heart of the ambiguity so pervasive throughout the drama . His comment to Bates while he himself is dis- guised as a fellow common soldier has the similar ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words