Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 215
... later histories deal with relations between church and state , and suggests that Shakespeare portrayed a monarch who , like Queen Elizabeth , develops an " opaque self " in order to present himself as invulnerable . ] Shakespeare did ...
... later histories deal with relations between church and state , and suggests that Shakespeare portrayed a monarch who , like Queen Elizabeth , develops an " opaque self " in order to present himself as invulnerable . ] Shakespeare did ...
Seite 230
... later gives no hint of it ; in fact his enigmatic wooing of Katherine gives every indication of his determination to expand and strengthen his royal role . Even so , Henry on that one occasion privately voices the same moral questions ...
... later gives no hint of it ; in fact his enigmatic wooing of Katherine gives every indication of his determination to expand and strengthen his royal role . Even so , Henry on that one occasion privately voices the same moral questions ...
Seite 296
... later and in another play , in Antony and Cleopatra . The phantasm of suicide and its actualization , with or without friendly assistance , colour the atmosphere of the whole play which could be defined as a study of the fascination of ...
... later and in another play , in Antony and Cleopatra . The phantasm of suicide and its actualization , with or without friendly assistance , colour the atmosphere of the whole play which could be defined as a study of the fascination of ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words