Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 68
... moral code , and the drama- tist can exploit this moral code for poetic effects by building up characters that variously exemplify the system of vices and virtues to which the code explic- itly or implicitly subscribes . But in another ...
... moral code , and the drama- tist can exploit this moral code for poetic effects by building up characters that variously exemplify the system of vices and virtues to which the code explic- itly or implicitly subscribes . But in another ...
Seite 199
... moral ' approach will most oversimplify , and thin , the true Shakespearian vintage . The ' moral - historical ' approach diminishes Falstaff as Wit , leaving him with little more than the rascally quick - wittedness which gets ...
... moral ' approach will most oversimplify , and thin , the true Shakespearian vintage . The ' moral - historical ' approach diminishes Falstaff as Wit , leaving him with little more than the rascally quick - wittedness which gets ...
Seite 313
... moral evaluation is deducible only from the whole context . The main moral idea , the relation- ship between the public and private roles of those in power , is one already prominent in Shakespeare's English histories ; it is the more ...
... moral evaluation is deducible only from the whole context . The main moral idea , the relation- ship between the public and private roles of those in power , is one already prominent in Shakespeare's English histories ; it is the more ...
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Häufige Begriffe und Wortgruppen
action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words