Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 106
... play comes from the people and their tribunes . In Coriolanus there are two climactic mo- ments which define the course of the play - the ban- ishing of Coriolanus and his decision to turn against the city for revenge . Not only must the ...
... play comes from the people and their tribunes . In Coriolanus there are two climactic mo- ments which define the course of the play - the ban- ishing of Coriolanus and his decision to turn against the city for revenge . Not only must the ...
Seite 129
... play because Coriolanus ' character precludes participation in a democracy . ] Coriolanus has not , on the whole , been a popular play , either on the stage or with the literary critics . Some of the later twentieth - century ...
... play because Coriolanus ' character precludes participation in a democracy . ] Coriolanus has not , on the whole , been a popular play , either on the stage or with the literary critics . Some of the later twentieth - century ...
Seite 293
... play's symmetry and offer insight into its meaning . ] A few plain figures may provide the simplest approach to the problems of play structure and dramatic tech- nique in Julius Caesar . According to F.E. Halliday in a Shakespeare ...
... play's symmetry and offer insight into its meaning . ] A few plain figures may provide the simplest approach to the problems of play structure and dramatic tech- nique in Julius Caesar . According to F.E. Halliday in a Shakespeare ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words