Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 27
... seems re- quired he has no more than a brief fright . In effect , the play accepts the actions of Angelo as if they were not vices but follies like pretentiousness or boastfulness . One way of reflecting our difficulty with this ...
... seems re- quired he has no more than a brief fright . In effect , the play accepts the actions of Angelo as if they were not vices but follies like pretentiousness or boastfulness . One way of reflecting our difficulty with this ...
Seite 134
... seems an exculpation from the deeds of public life . Coriolanus ' escape here from the possession of his mother , who unites personal will with public ' duty ' , seems unemphatic , taken for granted al- most . Such fleeting seconds of ...
... seems an exculpation from the deeds of public life . Coriolanus ' escape here from the possession of his mother , who unites personal will with public ' duty ' , seems unemphatic , taken for granted al- most . Such fleeting seconds of ...
Seite 136
... seems the reflection of sudden self - awareness ; this pause stands out against all the frenzy of activity and ... seems to be talking with an authority which is really his own , instead of the violence habitual to him , entailed ...
... seems the reflection of sudden self - awareness ; this pause stands out against all the frenzy of activity and ... seems to be talking with an authority which is really his own , instead of the violence habitual to him , entailed ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words