Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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... tion to him of a kind of political wisdom or social insight has come from persons who are temporarily more interested in virtue than in art . In considering the significance of paraphrasable statements of social as- sent or social ...
... tion to him of a kind of political wisdom or social insight has come from persons who are temporarily more interested in virtue than in art . In considering the significance of paraphrasable statements of social as- sent or social ...
Seite 221
... tion is to evoke an epic mood , to incite the audience to see a " platonic " realm of epic ideals through the actions and characters represented on stage . As a spokesman for epic norms , however , the Chorus is used to insinuate ...
... tion is to evoke an epic mood , to incite the audience to see a " platonic " realm of epic ideals through the actions and characters represented on stage . As a spokesman for epic norms , however , the Chorus is used to insinuate ...
Seite 377
... tion as an attempt at exorcism that turns into a conju- ration , two rituals that are dangerously similar in that each involves the demonstration of power over spirits . In any case , the play makes much of Caesar's spirit , and at the ...
... tion as an attempt at exorcism that turns into a conju- ration , two rituals that are dangerously similar in that each involves the demonstration of power over spirits . In any case , the play makes much of Caesar's spirit , and at the ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words