Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 60
... voice of the people ( that Shakespeare should make Coriolanus call them , here , slaves belongs to a story other than that I am telling now ) . What has made Shakespeare's play possible is the meanings of the word ' voice ' . Voice ...
... voice of the people ( that Shakespeare should make Coriolanus call them , here , slaves belongs to a story other than that I am telling now ) . What has made Shakespeare's play possible is the meanings of the word ' voice ' . Voice ...
Seite 61
... voice , sweet voice , the tune of your voice , worthy voices - resentment at the power of what they say , of the uttering , and his need of it , expressed by the ironical assumption that it is the uttering itself that he is wooing ...
... voice , sweet voice , the tune of your voice , worthy voices - resentment at the power of what they say , of the uttering , and his need of it , expressed by the ironical assumption that it is the uttering itself that he is wooing ...
Seite 64
... voice . It is the implied ground of that speech I have already quoted : Here come moe voices . Your voices . For your voices I have fought ; Watch'd for your voices ; for your voices bear Of wounds two dozen odd . . . . Voices , voces ...
... voice . It is the implied ground of that speech I have already quoted : Here come moe voices . Your voices . For your voices I have fought ; Watch'd for your voices ; for your voices bear Of wounds two dozen odd . . . . Voices , voces ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words