Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 30Gale Research Company, 1984 |
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Seite 64
... words - in simple ways like this : or : Has struck more blows for Rome Than thou hast spoken words When blows have made me stay , I fled from words . But the formula mutates into an opposition between deed , and word as vox ; voice . It ...
... words - in simple ways like this : or : Has struck more blows for Rome Than thou hast spoken words When blows have made me stay , I fled from words . But the formula mutates into an opposition between deed , and word as vox ; voice . It ...
Seite 119
... words instead of food . The first mystery of the play is that this seems to work , that the words stop the citizens , that they stop to listen , as though these citizens are themselves willing , under certain circumstances , to take words ...
... words instead of food . The first mystery of the play is that this seems to work , that the words stop the citizens , that they stop to listen , as though these citizens are themselves willing , under certain circumstances , to take words ...
Seite 336
... words are powerful because they enshrine the dominant cultural values , the thought and belief of the past - libertarian ideals of republican Rome passed down through what " our fathers say " ( 1. 156 ) . They contain what Bacon calls ...
... words are powerful because they enshrine the dominant cultural values , the thought and belief of the past - libertarian ideals of republican Rome passed down through what " our fathers say " ( 1. 156 ) . They contain what Bacon calls ...
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action Agincourt Antony and Cleopatra Antony's audience Aufidius battle blood Brutus Brutus's Caius Cassius ceremony character Chorus citizens comedy comic Cominius conspirators Coriola Coriolanus Coriolanus's critics crown death dramatic Elizabethan England English epic essay date Essex fact Falstaff feel Fluellen France French friends give Hal's Harfleur Harry Henry Henry IV plays Henry VI Henry's hero history plays honour human ical ideal imagination Julius Caesar kill kind king king's language Macbeth Mark Antony Martius means Menenius mind moral mother murder nature noble Octavius patricians peare peare's Pistol play's plebeians Plutarch political Pompey Prince Renaissance Reprinted by permission rhetoric Richard Richard II role Roman Rome scene seems sense Shakes Shakespeare Shakespeare's plays social soldiers soliloquy speak speech spirit stage suggest suicide sword theater things thou tion tragedy tragic tribunes Tudor virtue voice Volscians Volumnia words