Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite x
... action in Hamlet 401 NOTE B. Where was Hamlet at the time of his father's death ? 403 NOTE C. Hamlet's age - 407 NOTE D. ' My tables - meet it is I set it down ' . 409 NOTE E. The Ghost in the cellarage · 412 NOTE F. The Player's speech ...
... action in Hamlet 401 NOTE B. Where was Hamlet at the time of his father's death ? 403 NOTE C. Hamlet's age - 407 NOTE D. ' My tables - meet it is I set it down ' . 409 NOTE E. The Ghost in the cellarage · 412 NOTE F. The Player's speech ...
Seite 1
... action and some of the personages of each with a somewhat greater truth and intensity , so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator . For this end all ...
... action and some of the personages of each with a somewhat greater truth and intensity , so that they may assume in our imaginations a shape a little less unlike the shape they wore in the imagination of their creator . For this end all ...
Seite 12
... action issuing from character , or in character issuing in action . Shakespeare's main interest lay here . To say that it lay in mere character , or was a psychologi- cal interest , would be a great mistake , for he was dramatic to the ...
... action issuing from character , or in character issuing in action . Shakespeare's main interest lay here . To say that it lay in mere character , or was a psychologi- cal interest , would be a great mistake , for he was dramatic to the ...
Seite 14
... action , and is in more than one instance an indispensable part of it : so that to describe human character , with circum- stances , as always the sole motive force in this action would be a serious error . But the super- natural is ...
... action , and is in more than one instance an indispensable part of it : so that to describe human character , with circum- stances , as always the sole motive force in this action would be a serious error . But the super- natural is ...
Seite 15
... confined our attention . ' Comedy stands in a different position . The tricks played by chance often form a principal part of the comic action . will be found that almost all the prominent acci- dents LECT . I. 15 THE SUBSTANCE OF TRAGEDY.
... confined our attention . ' Comedy stands in a different position . The tricks played by chance often form a principal part of the comic action . will be found that almost all the prominent acci- dents LECT . I. 15 THE SUBSTANCE OF TRAGEDY.
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words