Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite vii
... beginning at page 89 . Any one who writes on Shakespeare must owe much to his predecessors . Where I was conscious of a particular obligation , I have acknowledged it ; but most of my reading of Shakespearean criticism was done many ...
... beginning at page 89 . Any one who writes on Shakespeare must owe much to his predecessors . Where I was conscious of a particular obligation , I have acknowledged it ; but most of my reading of Shakespearean criticism was done many ...
Seite 9
... beginning we see him in the Council - Chamber of the Senate . The consciousness of his high position never leaves him . At the end , when he is de- termined to live no longer , he is as anxious as Hamlet not to be misjudged by the great ...
... beginning we see him in the Council - Chamber of the Senate . The consciousness of his high position never leaves him . At the end , when he is de- termined to live no longer , he is as anxious as Hamlet not to be misjudged by the great ...
Seite 41
... beginning , the growth and the vicissitudes of the conflict . It forms accordingly the bulk of the play , comprising the Second , Third and Fourth Acts , and usually a part of the First and a part of the Fifth . The final section of the ...
... beginning , the growth and the vicissitudes of the conflict . It forms accordingly the bulk of the play , comprising the Second , Third and Fourth Acts , and usually a part of the First and a part of the Fifth . The final section of the ...
Seite 42
... beginning of the play , though the conflict has not arisen , things are happening and being done which in some degree arrest , startle , and excite ; and in a few scenes we have mastered the situation of affairs without perceiving the ...
... beginning of the play , though the conflict has not arisen , things are happening and being done which in some degree arrest , startle , and excite ; and in a few scenes we have mastered the situation of affairs without perceiving the ...
Seite 44
... beginning of Macbeth than that of King Lear . The tone is pitched so low that the con- versation between Kent , Gloster , and Edmund is written in prose . But at the thirty - fourth line it is broken off by the entrance of Lear and his ...
... beginning of Macbeth than that of King Lear . The tone is pitched so low that the con- versation between Kent , Gloster , and Edmund is written in prose . But at the thirty - fourth line it is broken off by the entrance of Lear and his ...
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Keine Leseprobe verfügbar - 2012 |
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words