Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite 13
... because he saw a dagger in the air : he saw the dagger because he was about to murder Duncan . Lear's insanity is not the cause of a tragic conflict any more than Ophelia's ; it is , like Ophelia's LECT . I. 13 THE SUBSTANCE OF TRAGEDY.
... because he saw a dagger in the air : he saw the dagger because he was about to murder Duncan . Lear's insanity is not the cause of a tragic conflict any more than Ophelia's ; it is , like Ophelia's LECT . I. 13 THE SUBSTANCE OF TRAGEDY.
Seite 14
... conflict ; and in both cases the effect is mainly pathetic . If Lear were really mad when he divided his kingdom , if Hamlet were really mad at any time in the story , they would cease to be tragic characters . ( 6 ) Shakespeare also ...
... conflict ; and in both cases the effect is mainly pathetic . If Lear were really mad when he divided his kingdom , if Hamlet were really mad at any time in the story , they would cease to be tragic characters . ( 6 ) Shakespeare also ...
Seite 16
... conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose , to the influence of Hegel's theory on the subject , certainly the most important theory since Aristotle's . But Hegel's view of the ...
... conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose , to the influence of Hegel's theory on the subject , certainly the most important theory since Aristotle's . But Hegel's view of the ...
Seite 17
... conflict may quite naturally be ke conceived as lying between two persons , of whom the hero is one ; or , more fully , as lying between two parties or groups , in one of which the hero is the leading figure . Or if we prefer to speak ...
... conflict may quite naturally be ke conceived as lying between two persons , of whom the hero is one ; or , more fully , as lying between two parties or groups , in one of which the hero is the leading figure . Or if we prefer to speak ...
Seite 18
... conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a certain measure , it is so with nearly all the tragedies ...
... conflict between them , is the conflict within one of them . And so it is , though not in the same degree , with Antony and Cleopatra and even with Othello ; and , in fact , in a certain measure , it is so with nearly all the tragedies ...
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words