Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite vii
... course , wish them to be read in their order , and a knowledge of the first two is assumed in the remainder ; but readers who may prefer to enter at once on the discussion of the several plays can do so by beginning at page 89 . Any one ...
... course , wish them to be read in their order , and a knowledge of the first two is assumed in the remainder ; but readers who may prefer to enter at once on the discussion of the several plays can do so by beginning at page 89 . Any one ...
Seite 2
... course , to imagine where- abouts the persons are to stand , or what gestures they ought to use ; but they want to realise fully and exactly the inner movements which pro- duced these words and no other , these deeds and no other , at ...
... course , to imagine where- abouts the persons are to stand , or what gestures they ought to use ; but they want to realise fully and exactly the inner movements which pro- duced these words and no other , these deeds and no other , at ...
Seite 12
... course , solely of human actions or deeds ; but the deeds are the pre- dominant factor . And these deeds are , for the most part , actions in the full sense of the word ; not things done ' ' tween asleep and wake , ' but acts or ...
... course , solely of human actions or deeds ; but the deeds are the pre- dominant factor . And these deeds are , for the most part , actions in the full sense of the word ; not things done ' ' tween asleep and wake , ' but acts or ...
Seite 14
... point in the action . Chance or accident here will be found , I think , to mean any occurrence ( not supernatural , of course ) which enters the dramatic sequence neither from the agency of a 14 LECT . L SHAKESPEAREAN TRAGEDY.
... point in the action . Chance or accident here will be found , I think , to mean any occurrence ( not supernatural , of course ) which enters the dramatic sequence neither from the agency of a 14 LECT . L SHAKESPEAREAN TRAGEDY.
Seite 15
... course of events but can neither calculate nor control it , is a tragic fact . The dramatist may use accident so as to make us feel this ; and there are also other dramatic uses to which it may be put . Shake- speare accordingly admits ...
... course of events but can neither calculate nor control it , is a tragic fact . The dramatist may use accident so as to make us feel this ; and there are also other dramatic uses to which it may be put . Shake- speare accordingly admits ...
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Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words