Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite 13
... excitement of following an ingenious complication . What we do feel strongly , as a tragedy advances to its close , is that the calamities and catastrophe follow inevitably from the deeds of men , and that the main source of these deeds ...
... excitement of following an ingenious complication . What we do feel strongly , as a tragedy advances to its close , is that the calamities and catastrophe follow inevitably from the deeds of men , and that the main source of these deeds ...
Seite 43
... excitement has had its effect on the audience , there follow quiet speeches , in which the cause of the excitement , and so a great part of the situation , are disclosed . In Hamlet and Macbeth this scheme is employed with great ...
... excitement has had its effect on the audience , there follow quiet speeches , in which the cause of the excitement , and so a great part of the situation , are disclosed . In Hamlet and Macbeth this scheme is employed with great ...
Seite 48
... exciting and less exciting sections . Some kind of variation of pitch is to be found , of course , in all drama , for it rests on the elementary facts that relief must be given after emotional strain , and that contrast is required to ...
... exciting and less exciting sections . Some kind of variation of pitch is to be found , of course , in all drama , for it rests on the elementary facts that relief must be given after emotional strain , and that contrast is required to ...
Seite 49
... exciting the scenes of low tension are shorter , often much shorter , than the others . The reader may verify this statement by comparing the First or the Fourth Act in most of the tragedies with the Third ; for , speaking very roughly ...
... exciting the scenes of low tension are shorter , often much shorter , than the others . The reader may verify this statement by comparing the First or the Fourth Act in most of the tragedies with the Third ; for , speaking very roughly ...
Seite 55
... exciting than the first , it is approached only by Antony and Cleopatra . I shall therefore reserve it for separate consideration , though in proceeding to speak further of Shakespeare's treatment of the tragic conflict I shall have to ...
... exciting than the first , it is approached only by Antony and Cleopatra . I shall therefore reserve it for separate consideration , though in proceeding to speak further of Shakespeare's treatment of the tragic conflict I shall have to ...
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Häufige Begriffe und Wortgruppen
action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words