Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite 6
... further warnings may be required . In the first place , we must remember that the tragic aspect of life is only one aspect . We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone , as we ...
... further warnings may be required . In the first place , we must remember that the tragic aspect of life is only one aspect . We cannot arrive at Shakespeare's whole dramatic way of looking at the world from his tragedies alone , as we ...
Seite 14
... further , it does contribute to the action , and is in more than one instance an indispensable part of it : so that to describe human character , with circum- stances , as always the sole motive force in this action would be a serious ...
... further , it does contribute to the action , and is in more than one instance an indispensable part of it : so that to describe human character , with circum- stances , as always the sole motive force in this action would be a serious ...
Seite 15
... further , frequently easy to see the dramatic intention of an accident ; and some things which look like accidents have really a connection with character , and are therefore not in the full sense accidents . Finally , I believe it 1 ...
... further , frequently easy to see the dramatic intention of an accident ; and some things which look like accidents have really a connection with character , and are therefore not in the full sense accidents . Finally , I believe it 1 ...
Seite 16
... further by describing it as a conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose , to the influence of Hegel's theory on the subject , certainly the most important theory since Aristotle's ...
... further by describing it as a conflict ? The frequent use of this idea in discussions on tragedy is ultimately due , I suppose , to the influence of Hegel's theory on the subject , certainly the most important theory since Aristotle's ...
Seite 18
... further we compare the earlier tragedies with the later , we find that it is in the latter , the maturest works , that this inward struggle is most em- phasised . In the last of them , Coriolanus , its interest completely eclipses ...
... further we compare the earlier tragedies with the later , we find that it is in the latter , the maturest works , that this inward struggle is most em- phasised . In the last of them , Coriolanus , its interest completely eclipses ...
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words