Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite 18
... passion or impersonal principle ; doubts , desires , scruples , ideas - whatever can animate , shake , possess , and drive a man's soul . In a Shakespearean tragedy some such forces are shown in 18 LECT . I SHAKESPEAREAN TRAGEDY.
... passion or impersonal principle ; doubts , desires , scruples , ideas - whatever can animate , shake , possess , and drive a man's soul . In a Shakespearean tragedy some such forces are shown in 18 LECT . I SHAKESPEAREAN TRAGEDY.
Seite 20
... passion , or will attains in them a terrible force . In almost all we observe a marked one - sidedness , a pre- disposition in some particular direction ; a total incapacity , in certain circumstances , of resisting the force which ...
... passion , or will attains in them a terrible force . In almost all we observe a marked one - sidedness , a pre- disposition in some particular direction ; a total incapacity , in certain circumstances , of resisting the force which ...
Seite 37
... sides or aspects which we can neither separate nor reconcile . The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection : we LECT . I. 37 THE SUBSTANCE OF TRAGEDY.
... sides or aspects which we can neither separate nor reconcile . The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection : we LECT . I. 37 THE SUBSTANCE OF TRAGEDY.
Seite 38
... passion for perfection : we cannot otherwise explain its behaviour towards evil . Yet it appears to engender this evil within itself , and in its effort to overcome and expel it it is agonised with pain , and driven to mutilate its own ...
... passion for perfection : we cannot otherwise explain its behaviour towards evil . Yet it appears to engender this evil within itself , and in its effort to overcome and expel it it is agonised with pain , and driven to mutilate its own ...
Seite 45
... passion . We realise them at the end of the first page , and are almost ready to regard the hero as doomed . Often , again , at one or more points during the exposition this feeling is reinforced by some expression that has an ominous ...
... passion . We realise them at the end of the first page , and are almost ready to regard the hero as doomed . Often , again , at one or more points during the exposition this feeling is reinforced by some expression that has an ominous ...
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words