Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, Limited, 1926 - 498 Seiten |
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Seite 13
... tion , and one that may mislead ( for many of his tragic personages , if they had not met with peculiar circumstances , would have escaped a tragic end , and might even have lived fairly untroubled lives ) ; but it is the exaggeration ...
... tion , and one that may mislead ( for many of his tragic personages , if they had not met with peculiar circumstances , would have escaped a tragic end , and might even have lived fairly untroubled lives ) ; but it is the exaggeration ...
Seite 39
... tion . As I cannot at present make good this defect , I would ask the reader to refer to the word Reconciliation in the Index . See also , in Oxford Lectures on Poetry , Hegel's Theory of Tragedy , especially pp . 90 , 91. ] LECTURE II ...
... tion . As I cannot at present make good this defect , I would ask the reader to refer to the word Reconciliation in the Index . See also , in Oxford Lectures on Poetry , Hegel's Theory of Tragedy , especially pp . 90 , 91. ] LECTURE II ...
Seite 43
... tion to carry him with pleasure through the exposition , though in the theatre , where his imagination is helped , he would experience little difficulty . When Shakespeare begins his exposition thus he generally at first LECT . II . 43 ...
... tion to carry him with pleasure through the exposition , though in the theatre , where his imagination is helped , he would experience little difficulty . When Shakespeare begins his exposition thus he generally at first LECT . II . 43 ...
Seite 55
... tion is plainly abandoned , for there will nowhere be a crisis followed by a descending movement . Iago's cause advances , at first slowly and quietly , then rapidly , but it does nothing but advance until the catastrophe swallows his ...
... tion is plainly abandoned , for there will nowhere be a crisis followed by a descending movement . Iago's cause advances , at first slowly and quietly , then rapidly , but it does nothing but advance until the catastrophe swallows his ...
Seite 67
... tion which will have occurred to some of my hearers . They may have asked themselves whether I have not used the words ' art ' and ' device ' and ' expedient ' and ' method ' too boldly , as though Shakespeare were a conscious artist ...
... tion which will have occurred to some of my hearers . They may have asked themselves whether I have not used the words ' art ' and ' device ' and ' expedient ' and ' method ' too boldly , as though Shakespeare were a conscious artist ...
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action answer Antony and Cleopatra appears Banquo believe Cassio catastrophe cause certainly character conflict conscience Cordelia Coriolanus critics Cymbeline death deed Desdemona doubt drama Edgar Edmund effect Emilia evil exciting fact fate father fear feel follows force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Juliet Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never observe once Ophelia Othello pain passage passion perhaps persons pity play play-scene plot Polonius probably question reader reason Regan regard Richard III Roderigo Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy shows soliloquy soul speak speech story suffering suppose surely theory things thou thought Timon tion Titus Andronicus tragedy tragic truth whole Witches words