Will in the World: How Shakespeare Became Shakespeare

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W. W. Norton & Company, 17.09.2005 - 430 Seiten
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A young man from the provinces a man without wealth, connections, or university education--moves to London. In a remarkably short time he becomes the greatest playwright not just of his age but of all time. His works appeal to urban sophisticates and first-time theatergoers; he turns politics into poetry; he recklessly mingles vulgar clowning and philosophical subtlety. How is such an achievement to be explained? How did Shakespeare become Shakespeare? [In this volume, the author] enables us to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life - full of drama and pageantry, and also cruelty and danger - could have become the world's greatest playwright ... In every case, [the author] brings a flash of illumination to the work, enabling us to experience these great plays again as if for the first time, and with greater understanding and appreciation of their extraordinary depth and humanity.--Dust jacket.

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LibraryThing Review

Nutzerbericht  - kslade - LibraryThing

Interesting speculations about the life of Shakespeare and how he became a gentleman despite his humble beginnings. Relationships with other poets / dramatists, etc. are intriguing too. Vollständige Rezension lesen

LibraryThing Review

Nutzerbericht  - tungsten_peerts - LibraryThing

Gosh, this is good. Greenblatt, as I think has been pointed out elsewhere, wears his erudtion lightly -- you could be excused for not recognizing this as the work of a highly-respected scholar: it's ... Vollständige Rezension lesen

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Inhalt

Preface
11
Acknowledgments
15
A Note to the Reader
17
Primal Scenes 23
21
The Dream of Restoration
54
The Great Fear
87
Wooing Wedding and Repenting
118
Crossing the Bridge
149
Shakescene
199
MasterMistress
226
Laughter at the Scaffold
256
Speaking with the Dead
288
Bewitching the King
323
The Triumph of the Everyday
356
Bibliographical Notes
391
Index
409

Life in the Suburbs
175

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Autoren-Profil (2005)

Stephen Greenblatt (Ph.D. Yale) is Cogan University Professor of the Humanities at Harvard University. Also General Editor of The Norton Anthology of English Literature, he is the author of eleven books, including The Swerve: How the World Became Modern (winner of the 2011 National Book Award and the 2012 Pulitzer Prize); Shakespeare's Freedom; Will in the World: How Shakespeare Became Shakespeare; Hamlet in Purgatory; Marvelous Possessions: The Wonder of the New World; Learning to Curse: Essays in Early Modern Culture; and Renaissance Self-Fashioning: From More to Shakespeare. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. His honors include the MLA’s James Russell Lowell Prize, for both Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England and The Swerve, the Sapegno Prize, the Distinguished Humanist Award from the Mellon Foundation, the Wilbur Cross Medal from the Yale University Graduate School, the William Shakespeare Award for Classical Theatre, the Erasmus Institute Prize, two Guggenheim Fellowships, and the Distinguished Teaching Award from the University of California, Berkeley. He was president of the Modern Language Association of America and is a fellow of the American Academy of Arts and Sciences, the American Philosophical Society, and the American Academy of Arts and Letters.

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