Transactions of the Royal Society of Literature of the United KingdomOxford University Press, 1966 |
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Seite 92
... Henry's Law : he is Henry's foil , not a theme in himself , and he is seen mainly through Henry's eyes as the ' acrobať ' , the ' holy apprentice'contradictory , self - loving , without spiritual authority . When Henry insists on making ...
... Henry's Law : he is Henry's foil , not a theme in himself , and he is seen mainly through Henry's eyes as the ' acrobať ' , the ' holy apprentice'contradictory , self - loving , without spiritual authority . When Henry insists on making ...
Seite 97
... Henry II . His Becket , needless to say , is a spotless hero from the start - noble , self - sacrificing , with hardly a trace of anger or pride . Aubrey de Vere's play is much more accurate historically than Cattermole's , but it is ...
... Henry II . His Becket , needless to say , is a spotless hero from the start - noble , self - sacrificing , with hardly a trace of anger or pride . Aubrey de Vere's play is much more accurate historically than Cattermole's , but it is ...
Seite 149
... Henry to wait , before seeking a rapprochement with France , until Francis I , like some sixteenth - century Parnell , ' had retired , at least temporarily , from public life ' . The twentieth century differs from the nineteenth century ...
... Henry to wait , before seeking a rapprochement with France , until Francis I , like some sixteenth - century Parnell , ' had retired , at least temporarily , from public life ' . The twentieth century differs from the nineteenth century ...
Inhalt
Katja Reissner Lecture 1960 | 19 |
THE PLAYS OF JOHN WHITING | 36 |
THE COMEDIES OF T S ELIOT 555 | 55 |
Urheberrecht | |
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