Transactions of the Royal Society of Literature of the United KingdomOxford University Press, 1966 |
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Seite 44
... audience should be clear about every line . Whiting mentioned earlier drafts where the speech had been more lucid and explicit , but , as he worked on it further , though things became less clear for reader and audience they became more ...
... audience should be clear about every line . Whiting mentioned earlier drafts where the speech had been more lucid and explicit , but , as he worked on it further , though things became less clear for reader and audience they became more ...
Seite 48
... audience gave a gasp of horror such as I have seldom heard in the Theatre - but in spite of the fact that they were gripped and shocked , they were not moved by Forster's personal predicament . Whether the fault was entirely mine , or ...
... audience gave a gasp of horror such as I have seldom heard in the Theatre - but in spite of the fact that they were gripped and shocked , they were not moved by Forster's personal predicament . Whether the fault was entirely mine , or ...
Seite 56
... audience , a mass of individuals who must feel that pleasure simultaneously ; for the presence in an audience of large numbers of persons who are not enjoying the play is fatal to the enjoy- ment of others . A dramatist's success is ...
... audience , a mass of individuals who must feel that pleasure simultaneously ; for the presence in an audience of large numbers of persons who are not enjoying the play is fatal to the enjoy- ment of others . A dramatist's success is ...
Inhalt
Katja Reissner Lecture 1960 | 19 |
THE PLAYS OF JOHN WHITING | 36 |
THE COMEDIES OF T S ELIOT 555 | 55 |
Urheberrecht | |
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