Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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... Antony's new right hand , having been sent packing like a lackey ( and as ready to go : or do we wrong him ? ) we are held by the simple magnificence of Oh , sun , thy uprise shall I see no more : Fortune and Antony part here ; even ...
... Antony's new right hand , having been sent packing like a lackey ( and as ready to go : or do we wrong him ? ) we are held by the simple magnificence of Oh , sun , thy uprise shall I see no more : Fortune and Antony part here ; even ...
Seite 399
... Antony must.22 The fact that they are false is of a piece with the other futilities of these three days that have gone to his undoing . Yet another is to follow when he stands waiting for the merciful sword - stroke which Eros turns on ...
... Antony must.22 The fact that they are false is of a piece with the other futilities of these three days that have gone to his undoing . Yet another is to follow when he stands waiting for the merciful sword - stroke which Eros turns on ...
Seite 454
... Antony : Let us , Lepidus , Not lack your company . Noble Antony , Not sickness should detain me . The little man is grateful . He cannot carry his liquor , and they laugh at him for that . And all but the last we hear of him is in the ...
... Antony : Let us , Lepidus , Not lack your company . Noble Antony , Not sickness should detain me . The little man is grateful . He cannot carry his liquor , and they laugh at him for that . And all but the last we hear of him is in the ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words