Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 393
... Cleopatra from him . Antony rises to nobility again , with his " Let her know't " for sole comment upon the offer of peace to Cleopatra if she will yield him up . But with his next breath he falls to the fatuity of the challenge to ...
... Cleopatra from him . Antony rises to nobility again , with his " Let her know't " for sole comment upon the offer of peace to Cleopatra if she will yield him up . But with his next breath he falls to the fatuity of the challenge to ...
Seite 406
... Cleopatra would not see them . Let him give them the order quietly as he returns to the door , and , with no climbing involved , they can be upon the inner stage by the back way in a couple of seconds , seize Cleopatra and unbar the ...
... Cleopatra would not see them . Let him give them the order quietly as he returns to the door , and , with no climbing involved , they can be upon the inner stage by the back way in a couple of seconds , seize Cleopatra and unbar the ...
Seite 438
... Cleopatra's charm . To begin with , we may find ourselves somewhat conscious of the process . Though that first duet ... Cleopatra reappears has this cloud about her vanished ; but nothing of the sort ever masks her again . CLEOPATRA ...
... Cleopatra's charm . To begin with , we may find ourselves somewhat conscious of the process . Though that first duet ... Cleopatra reappears has this cloud about her vanished ; but nothing of the sort ever masks her again . CLEOPATRA ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words