Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 108
... Enter King , and Queene , with Rosencraus and Guyldensterne . There's matter in these sighes , these profound heaves ... enter imme- diately on the outer stage with the King , Rosencrantz and Guildenstern , or that she emerges from the ...
... Enter King , and Queene , with Rosencraus and Guyldensterne . There's matter in these sighes , these profound heaves ... enter imme- diately on the outer stage with the King , Rosencrantz and Guildenstern , or that she emerges from the ...
Seite 111
... Enter King , and two or three . we may , I think , legitimately translate into his appearance at- tended by such of ... Enter Rosencrantz and all the rest . 39 Fi's Enter King , which turns the following speech into a soliloquy , is , of ...
... Enter King , and two or three . we may , I think , legitimately translate into his appearance at- tended by such of ... Enter Rosencrantz and all the rest . 39 Fi's Enter King , which turns the following speech into a soliloquy , is , of ...
Seite 476
... Enter Lucius , Iachimo and the Romane army at one doore : and the Britaine army at another : Leonatus Posthumus following like a poore souldier . They march over and goe out . Then enter againe in skirmish lachimo and Posthumus : he ...
... Enter Lucius , Iachimo and the Romane army at one doore : and the Britaine army at another : Leonatus Posthumus following like a poore souldier . They march over and goe out . Then enter againe in skirmish lachimo and Posthumus : he ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words