Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 119
... Folio thriftily turns over to Horatio the Gentleman's speech describing her . It asks skillful and discreet speaking , cer- tainly , and a minor actor might well not do it full credit . But this is to rob Horatio of the characteristic ...
... Folio thriftily turns over to Horatio the Gentleman's speech describing her . It asks skillful and discreet speaking , cer- tainly , and a minor actor might well not do it full credit . But this is to rob Horatio of the characteristic ...
Seite 329
... Folio does not , both in cuts and additions , sometimes represent Shakespeare's own second thoughts . In general , surely , the Folio is of better authority ; it is at least more carefully transcribed . Some of its cuts are of passages ...
... Folio does not , both in cuts and additions , sometimes represent Shakespeare's own second thoughts . In general , surely , the Folio is of better authority ; it is at least more carefully transcribed . Some of its cuts are of passages ...
Seite 332
... Folio . Shakespeare may have yielded here to the exigencies of bad acting or to a wish to knit the action more closely . But he is taking some pains at this juncture to develop Albany , and we shall be on the safe side in keeping to the ...
... Folio . Shakespeare may have yielded here to the exigencies of bad acting or to a wish to knit the action more closely . But he is taking some pains at this juncture to develop Albany , and we shall be on the safe side in keeping to the ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words