Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 113
... Hamlet does ; and it is in the latent thoughts of the two as they face each other that the drama lies . At the crisis of the play - scene it seemed as if the struggle would ... Hamlet , as we know , suspects something of them Hamlet 113.
... Hamlet does ; and it is in the latent thoughts of the two as they face each other that the drama lies . At the crisis of the play - scene it seemed as if the struggle would ... Hamlet , as we know , suspects something of them Hamlet 113.
Seite 139
... Hamlet to leap into the grave beside Laertes . But QI ( the text itself being very corrupt at this point ) does : Hamlet leapes in after Laertes . And Rowe , not copying Q1 , which he probably never saw ( though , as it happens , his ...
... Hamlet to leap into the grave beside Laertes . But QI ( the text itself being very corrupt at this point ) does : Hamlet leapes in after Laertes . And Rowe , not copying Q1 , which he probably never saw ( though , as it happens , his ...
Seite 200
... Hamlet's affectionate welcome of him adds to Horatio's status ; and he adds to it himself by the quiet good sense with which he responds to Hamlet's hysterical treatment of him after the Ghost's vanishing . Thereafter he disappears from ...
... Hamlet's affectionate welcome of him adds to Horatio's status ; and he adds to it himself by the quiet good sense with which he responds to Hamlet's hysterical treatment of him after the Ghost's vanishing . Thereafter he disappears from ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words