Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 68
... Ophelia for this purpose . Hearsay is necessary ; if we saw the scene for ourselves , Hamlet's conduct could not be left quite inexplicable . The tragic distortion of the relation between the two is initiated , their second meeting ...
... Ophelia for this purpose . Hearsay is necessary ; if we saw the scene for ourselves , Hamlet's conduct could not be left quite inexplicable . The tragic distortion of the relation between the two is initiated , their second meeting ...
Seite 80
... Ophelia may well overhear the he shall with speed to England , For the demand of our neglected tribute .... since ... Ophelia ) ; and the oblivious concern of the two men with the growing menace of Hamlet's con- duct is emphasized ...
... Ophelia may well overhear the he shall with speed to England , For the demand of our neglected tribute .... since ... Ophelia ) ; and the oblivious concern of the two men with the growing menace of Hamlet's con- duct is emphasized ...
Seite 136
... Ophelia , there is the wish to forget . " 16 Strange in reality that Horatio should not have spoken to Hamlet of Ophelia's madness , but dramatically this passes unnoticed . Of her death , however , Shake- speare takes care to leave him ...
... Ophelia , there is the wish to forget . " 16 Strange in reality that Horatio should not have spoken to Hamlet of Ophelia's madness , but dramatically this passes unnoticed . Of her death , however , Shake- speare takes care to leave him ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words