Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 34
... Shake- speare consenting , they picked on this juncture as the likeliest for the purpose hereabouts ; he might even pick on it himself . Never- m * Dr. Johnson comments severely on it , and other editors may note its ineptitude . But ...
... Shake- speare consenting , they picked on this juncture as the likeliest for the purpose hereabouts ; he might even pick on it himself . Never- m * Dr. Johnson comments severely on it , and other editors may note its ineptitude . But ...
Seite 338
... Shake- speare has to run them neck and neck till he is ready to join them again in the scene of the trial . But the difficulty is less that they will not match each other by the clock than that their whole gait so differs , their very ...
... Shake- speare has to run them neck and neck till he is ready to join them again in the scene of the trial . But the difficulty is less that they will not match each other by the clock than that their whole gait so differs , their very ...
Seite 373
... Shake- speare has now begun to bite upon the ironies of his theme - to a Cleopatra most unlike the golden vision of Cydnus , a spitting 5 The Romans had their soothsayers too ; but this one , by costume and associa- tion , would recall ...
... Shake- speare has now begun to bite upon the ironies of his theme - to a Cleopatra most unlike the golden vision of Cydnus , a spitting 5 The Romans had their soothsayers too ; but this one , by costume and associa- tion , would recall ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words