Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 18
... appearance : My countryman ; and yet I know him not . Our difficulty , of course , arises mainly over the historical plays . Not over the English Histories , even so ; we can dress Richard III or Henry V by the light of our own superior ...
... appearance : My countryman ; and yet I know him not . Our difficulty , of course , arises mainly over the historical plays . Not over the English Histories , even so ; we can dress Richard III or Henry V by the light of our own superior ...
Seite 43
... appearance was a little too surprising , that the King's excuse only made the matter worse , that Shakespeare has , for once , been too slapdash , in fact that the flawed illusion of the action is not restored till Ophelia reappears ...
... appearance was a little too surprising , that the King's excuse only made the matter worse , that Shakespeare has , for once , been too slapdash , in fact that the flawed illusion of the action is not restored till Ophelia reappears ...
Seite 108
... appearance altogether , and sparing us the slight delay of their dismissal , carries the action forward without check to its impulse ; and , as there are other signs that this hereabouts is in general Shakespeare's aim , I think it may ...
... appearance altogether , and sparing us the slight delay of their dismissal , carries the action forward without check to its impulse ; and , as there are other signs that this hereabouts is in general Shakespeare's aim , I think it may ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words