Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 25
... character still not quite complete . It was comparable to those Japanese puppet - shows , in which the puppet , life - size and gorgeous , is handled by its black - suited showman in full view of the audience , who take pleasure in the ...
... character still not quite complete . It was comparable to those Japanese puppet - shows , in which the puppet , life - size and gorgeous , is handled by its black - suited showman in full view of the audience , who take pleasure in the ...
Seite 29
... character , eloquent self - descrip- tion becomes superfluous . With what , then , can his collaborator the dramatist best provide him , apart from what is called for by the sheer action of the play ? —and this will be little ; for the ...
... character , eloquent self - descrip- tion becomes superfluous . With what , then , can his collaborator the dramatist best provide him , apart from what is called for by the sheer action of the play ? —and this will be little ; for the ...
Seite 31
... character if the man is to be continually behind a mask ? There can be revealing soliloquies , of course ; and the candor of the friendship with Horatio will be useful . But with the Queen , and with Ophelia ; here also a Hamlet ...
... character if the man is to be continually behind a mask ? There can be revealing soliloquies , of course ; and the candor of the friendship with Horatio will be useful . But with the Queen , and with Ophelia ; here also a Hamlet ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words