Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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... death , its candid beauty in sharp contrast to the secret wickedness brewing . The “ fantastic garlands " themselves : Of crow - flowers , nettles , daisies and long purples , That liberal shepherds give a grosser name , But our cold ...
... death , its candid beauty in sharp contrast to the secret wickedness brewing . The “ fantastic garlands " themselves : Of crow - flowers , nettles , daisies and long purples , That liberal shepherds give a grosser name , But our cold ...
Seite 434
... death . What more fitly tragic end for the brilliant general and statesman , the great realist and paragon of worldly wisdom , than to be tricked into emulating the heroism of a Cleopatra , who is , we know , even now safe in her ...
... death . What more fitly tragic end for the brilliant general and statesman , the great realist and paragon of worldly wisdom , than to be tricked into emulating the heroism of a Cleopatra , who is , we know , even now safe in her ...
Seite 447
... death itself . This proves me base . If she first meet the curled Antony , He'll make demand of her , and spend that ... death — suckling an asp ? It defies praise . So , for that matter , does Charmian's Now boast thee , death , in thy ...
... death itself . This proves me base . If she first meet the curled Antony , He'll make demand of her , and spend that ... death — suckling an asp ? It defies praise . So , for that matter , does Charmian's Now boast thee , death , in thy ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words