Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 21
... effect upon an audience , and each is meant to make its own sort of effect . If then , instead of giving them a passing moment's amusement , it makes a thou- sand people uncomfortable and for the next five minutes very self - conscious ...
... effect upon an audience , and each is meant to make its own sort of effect . If then , instead of giving them a passing moment's amusement , it makes a thou- sand people uncomfortable and for the next five minutes very self - conscious ...
Seite 197
... effect they are to make on us , and this effect will be , in the strict meaning of the word , sensational ; and if we did , at the moment , analyze the sensation and realize how it was made , the effect of it would be largely lost.1 We ...
... effect they are to make on us , and this effect will be , in the strict meaning of the word , sensational ; and if we did , at the moment , analyze the sensation and realize how it was made , the effect of it would be largely lost.1 We ...
Seite 337
... effect . By the clock they are not even consistent in themselves , far less with each other . But we 1 If the effect is one and the same , one might think the question unimportant . But Daniel , making out his three months , is generous ...
... effect . By the clock they are not even consistent in themselves , far less with each other . But we 1 If the effect is one and the same , one might think the question unimportant . But Daniel , making out his three months , is generous ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words