Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 88
... eyes riveted to his face . The Dumb Show falls quite pertinently into Hamlet's - and Shakespeare's - scheme . The mimic play as a whole is a calculated insult both to King and Queen . The " one scene " which " comes near the ...
... eyes riveted to his face . The Dumb Show falls quite pertinently into Hamlet's - and Shakespeare's - scheme . The mimic play as a whole is a calculated insult both to King and Queen . The " one scene " which " comes near the ...
Seite 104
... eyes into my very soul . . . . And then he treads her in the mire : Nay , but to live In the rank sweat of an ... eye ? Personally , I pronounce without hesitation for the miniatures . The pictures on the wall seem hardly in place ...
... eyes into my very soul . . . . And then he treads her in the mire : Nay , but to live In the rank sweat of an ... eye ? Personally , I pronounce without hesitation for the miniatures . The pictures on the wall seem hardly in place ...
Seite 493
... eyes have been chiefly on Imogen ; she thinks Posthumus is dead , and , though we suffer with her , we know better . Now , of a sudden , our eyes are on Posthumus ; he thinks Imogen is dead , and we know better . What matters far more ...
... eyes have been chiefly on Imogen ; she thinks Posthumus is dead , and , though we suffer with her , we know better . Now , of a sudden , our eyes are on Posthumus ; he thinks Imogen is dead , and we know better . What matters far more ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words