Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 136
... feeling of his business , that he sings at grave - making ? upon 16 Had he no feeling either , who could turn his ... feel , he must learn it . Whose grave's this , sirrah ? ... What man dost thou dig it for ? For no man , sir . What ...
... feeling of his business , that he sings at grave - making ? upon 16 Had he no feeling either , who could turn his ... feel , he must learn it . Whose grave's this , sirrah ? ... What man dost thou dig it for ? For no man , sir . What ...
Seite 292
... feel what wretches feel , That thou mayst shake the superflux to them , And show the heavens more just . To this haven of the spirit has he come , the Lear of unbridled power and pride . And how many dramatists , could they have ...
... feel what wretches feel , That thou mayst shake the superflux to them , And show the heavens more just . To this haven of the spirit has he come , the Lear of unbridled power and pride . And how many dramatists , could they have ...
Seite 373
... feel her witchery . MACENAS . ENOBARBUS . Now Antony must leave her utterly . Never ! He will not . Age cannot wither her , nor custom stale Her infinite variety . Other women cloy The appetites they feed : but she makes hungry Where ...
... feel her witchery . MACENAS . ENOBARBUS . Now Antony must leave her utterly . Never ! He will not . Age cannot wither her , nor custom stale Her infinite variety . Other women cloy The appetites they feed : but she makes hungry Where ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words