Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 76
... given the one arresting hint of " ... The Murder of Gonzago ... a speech of some dozen or sixteen lines .... " That is enough to hold us expec- tant through the self - reproachings of the soliloquy ; until , towards its end , the hint ...
... given the one arresting hint of " ... The Murder of Gonzago ... a speech of some dozen or sixteen lines .... " That is enough to hold us expec- tant through the self - reproachings of the soliloquy ; until , towards its end , the hint ...
Seite 218
... given some counterpart to Horatio for a confidant , or indulged , he also , in soliloquy . The technical constraint is turned to advantage . To have a Hamlet and a Claudius matched in method would be to the prejudice of each . Instead ...
... given some counterpart to Horatio for a confidant , or indulged , he also , in soliloquy . The technical constraint is turned to advantage . To have a Hamlet and a Claudius matched in method would be to the prejudice of each . Instead ...
Seite 397
... given such coloring , could any competition be admitted ; the audience must be caught and rapt by the mood . The shock of the first outburst should capture us . Then , the brilliant Scarus , Eno- barbus ' successor , Antony's new right ...
... given such coloring , could any competition be admitted ; the audience must be caught and rapt by the mood . The shock of the first outburst should capture us . Then , the brilliant Scarus , Eno- barbus ' successor , Antony's new right ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words