Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 215
... heart , especially where that which preys upon the mind can- not be communicated , confers a kind of indulgence upon the grieved party to express itself , even to its heart's dearest object , in the language of a temporary alienation ...
... heart , especially where that which preys upon the mind can- not be communicated , confers a kind of indulgence upon the grieved party to express itself , even to its heart's dearest object , in the language of a temporary alienation ...
Seite 247
... heart's core , ay , in my heart of heart , As I do thee . . . . he is , by the humble title of his love for him , asking the aid and comfort of qualities in his friend which , past the need of protest or excuse , he knows himself to ...
... heart's core , ay , in my heart of heart , As I do thee . . . . he is , by the humble title of his love for him , asking the aid and comfort of qualities in his friend which , past the need of protest or excuse , he knows himself to ...
Seite 453
... heart . There is excellent irony in his end . That the rough - tongued , thick - skinned Enobarbus , of all men , should expire sentimentally , by moonlight , of a broken heart ! But the superficial effect is not all . Thus ends another ...
... heart . There is excellent irony in his end . That the rough - tongued , thick - skinned Enobarbus , of all men , should expire sentimentally , by moonlight , of a broken heart ! But the superficial effect is not all . Thus ends another ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words