Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 56
... keep memory of him alive for us till his return . Nor could our first sight of her come at a more significant — a more ironically significant ― juncture . For Hamlet and the trifling of his favour , Hold it a fashion and a toy in blood ...
... keep memory of him alive for us till his return . Nor could our first sight of her come at a more significant — a more ironically significant ― juncture . For Hamlet and the trifling of his favour , Hold it a fashion and a toy in blood ...
Seite 175
... keep the tone of the lines level and clear . " Proclaim no shame " sustains the clarity , while the initial doubled consonants and the half - open vowels ( following for contrast upon the " e's " and “ i ” of “ melt in her own fire ...
... keep the tone of the lines level and clear . " Proclaim no shame " sustains the clarity , while the initial doubled consonants and the half - open vowels ( following for contrast upon the " e's " and “ i ” of “ melt in her own fire ...
Seite 374
... keeps his head ; but we hardly like him the better for that . Then , sharp upon the crapulous business , Shakespeare ... keep Shakespeare's stage well in mind if we are to realize the dramatic value to the spectator of the quick shift ...
... keeps his head ; but we hardly like him the better for that . Then , sharp upon the crapulous business , Shakespeare ... keep Shakespeare's stage well in mind if we are to realize the dramatic value to the spectator of the quick shift ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words