Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 157
... live to hear the news from England .... into which might - by the so - minded - be read regret that he will never know for certain whether Rosencrantz and Guildenstern have been satisfactorily " hoist with their own petar . " But this ...
... live to hear the news from England .... into which might - by the so - minded - be read regret that he will never know for certain whether Rosencrantz and Guildenstern have been satisfactorily " hoist with their own petar . " But this ...
Seite 231
... live on , long enough , at least to learn the truth . The King dies swiftly ; but by sword as well as poison . himself and the world in which he must live , Hamlet 231.
... live on , long enough , at least to learn the truth . The King dies swiftly ; but by sword as well as poison . himself and the world in which he must live , Hamlet 231.
Seite 342
... Live thou , I live : with much , much more dismay I view the fight , than thou that mak'st the fray . for a springboard , the song and its music are to stir us , whilst Bassanio comments on the caskets to himself . So ( let the actor ...
... Live thou , I live : with much , much more dismay I view the fight , than thou that mak'st the fray . for a springboard , the song and its music are to stir us , whilst Bassanio comments on the caskets to himself . So ( let the actor ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words