Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
Im Buch
Ergebnisse 1-3 von 64
Seite 62
... madness , What is't but to be nothing else but mad ? Hamlet speaks of himself as mad ; half ironically , while he is under the spell ; when he is free of it , as having been punished With sore distraction . He is not ironical there ...
... madness , What is't but to be nothing else but mad ? Hamlet speaks of himself as mad ; half ironically , while he is under the spell ; when he is free of it , as having been punished With sore distraction . He is not ironical there ...
Seite 116
... madness " and Ophelia's madness apart . Dover Wilson ( in The Manuscript of Shakespeare's Hamlet , p . 31 ) , arguing that the soliloquy cannot be , as some critics have held , a late addition to the play , says , " The Fortinbras scene ...
... madness " and Ophelia's madness apart . Dover Wilson ( in The Manuscript of Shakespeare's Hamlet , p . 31 ) , arguing that the soliloquy cannot be , as some critics have held , a late addition to the play , says , " The Fortinbras scene ...
Seite 148
... madness . If ' t be so , Hamlet is of the faction that is wrong'd ; His madness is poor Hamlet's enemy . -is meant to be so . Did his aping of madness send him verily mad ? In the Player who But in a fiction , in a dream of passion ...
... madness . If ' t be so , Hamlet is of the faction that is wrong'd ; His madness is poor Hamlet's enemy . -is meant to be so . Did his aping of madness send him verily mad ? In the Player who But in a fiction , in a dream of passion ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words