Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 91
... murder done in Vienna : Gonzago is the duke's name ; his wife , Baptista . You shall see anon ; ' tis a knavish piece of work : but what of that ? your majesty , and we that have free souls , it touches us not : let the galled jade ...
... murder done in Vienna : Gonzago is the duke's name ; his wife , Baptista . You shall see anon ; ' tis a knavish piece of work : but what of that ? your majesty , and we that have free souls , it touches us not : let the galled jade ...
Seite 97
... murder at its foulest . And self- thwarting and self - contempt have helped to make him cruel of heart . But he needs to be cruel , to be callous and ruthless too . Of what use are finer qualities , with everything around him - com ...
... murder at its foulest . And self- thwarting and self - contempt have helped to make him cruel of heart . But he needs to be cruel , to be callous and ruthless too . Of what use are finer qualities , with everything around him - com ...
Seite 236
... murder , and of the baser fact of her adultery with its all too obvious bearing upon the murder , which turns him , as by a sort of balefully miraculous conversion , into a man possessed . Inevitably the shock tells hardest upon the ...
... murder , and of the baser fact of her adultery with its all too obvious bearing upon the murder , which turns him , as by a sort of balefully miraculous conversion , into a man possessed . Inevitably the shock tells hardest upon the ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words