Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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... PLAY'S FIRST STAGING THE STYLE OF THE PLAY THE MUSIC THE PLAY'S CONSTRUCTION THE VERSE AND ITS SPEAKING THE CHARACTERS 367 371 378 381 390 399 403 407 410 410 423 459 461 469 471 474 482 483 497 511 Introduction We have still much to ...
... PLAY'S FIRST STAGING THE STYLE OF THE PLAY THE MUSIC THE PLAY'S CONSTRUCTION THE VERSE AND ITS SPEAKING THE CHARACTERS 367 371 378 381 390 399 403 407 410 410 423 459 461 469 471 474 482 483 497 511 Introduction We have still much to ...
Seite 309
... play all but done , with I am come To bid my king and master aye good - night . So he must just keep him in being meanwhile . That Kent should survive so effectively to the play's end is at once a tribute to the vitality of his first ...
... play all but done , with I am come To bid my king and master aye good - night . So he must just keep him in being meanwhile . That Kent should survive so effectively to the play's end is at once a tribute to the vitality of his first ...
Seite 386
... play's writing is full of pictorial suggestion . It is suggestion rather than description , an elaborate creating of atmosphere : Light thickens ; and the crow Makes wing to the rooky wood .... Description in this play is , indeed , as ...
... play's writing is full of pictorial suggestion . It is suggestion rather than description , an elaborate creating of atmosphere : Light thickens ; and the crow Makes wing to the rooky wood .... Description in this play is , indeed , as ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words