Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 250
... poor Yorick ! " And when we hear of the lethal trick he has played upon his one - time comrades , his enemy's ignorant instruments , and that it comes not near his conscience , plainly he no longer lacks nerve to deal with that enemy ...
... poor Yorick ! " And when we hear of the lethal trick he has played upon his one - time comrades , his enemy's ignorant instruments , and that it comes not near his conscience , plainly he no longer lacks nerve to deal with that enemy ...
Seite 268
... poor , infirm , weak and despis'd old man . -both in the sense of the words and the easier cadence of the verse the human Lear is emerging , and emerges fully upon the sudden simplicity of here I stand , your slave ; A poor , infirm ...
... poor , infirm , weak and despis'd old man . -both in the sense of the words and the easier cadence of the verse the human Lear is emerging , and emerges fully upon the sudden simplicity of here I stand , your slave ; A poor , infirm ...
Seite 294
... Poor Tom to the life now . Kent has his eyes on his master , watching him — at what new fantastic trick ? The old king is set- ting two joint - stools side by side ; they are Regan and Goneril , and the Fool and the beggar are to pass ...
... Poor Tom to the life now . Kent has his eyes on his master , watching him — at what new fantastic trick ? The old king is set- ting two joint - stools side by side ; they are Regan and Goneril , and the Fool and the beggar are to pass ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words