Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 31
... simple shamming -it must prove more hindrance than help . For how can he de- velop Hamlet's character if the man is to be continually behind a mask ? There can be revealing soliloquies , of course ; and the candor of the friendship with ...
... simple shamming -it must prove more hindrance than help . For how can he de- velop Hamlet's character if the man is to be continually behind a mask ? There can be revealing soliloquies , of course ; and the candor of the friendship with ...
Seite 200
... simple What ho , Horatio ! —and the very simplicity of the business somehow suggests that he has been within call all the time . Shakespeare restores him to importance by the as simple means of giving Hamlet , then and there , twenty ...
... simple What ho , Horatio ! —and the very simplicity of the business somehow suggests that he has been within call all the time . Shakespeare restores him to importance by the as simple means of giving Hamlet , then and there , twenty ...
Seite 529
... simple life . What would they have come to be at Court ; with Imogen for a sister , it is true , but with Cloten for a stepbrother besides ? As it is , they skip ruddy and skin - clad from their cave , exhorted by the good Belarius ...
... simple life . What would they have come to be at Court ; with Imogen for a sister , it is true , but with Cloten for a stepbrother besides ? As it is , they skip ruddy and skin - clad from their cave , exhorted by the good Belarius ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words