Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
Im Buch
Ergebnisse 1-3 von 88
Seite 92
... speaking of " thoughts black . . . ” yet another , a willful disregard of the advice to speak the speech " trippingly , " not to " strut and bellow . " The scene , by this reading of it , faces , so to speak , two ways . There is the ...
... speaking of " thoughts black . . . ” yet another , a willful disregard of the advice to speak the speech " trippingly , " not to " strut and bellow . " The scene , by this reading of it , faces , so to speak , two ways . There is the ...
Seite 358
... speak no more . I'll not be made a soft and dull - eyed fool , To shake the head , relent , and sigh , and yield To Christian intercessors . Follow not ; I'll have no speaking : I will have my bond . Here is a Shylock primed for the ...
... speak no more . I'll not be made a soft and dull - eyed fool , To shake the head , relent , and sigh , and yield To Christian intercessors . Follow not ; I'll have no speaking : I will have my bond . Here is a Shylock primed for the ...
Seite 534
... speak thick , — Love's counsellor should fill the bores of hearing , To the smothering of the sense - how far it is To this same blessed Milford . In a moment all the stored suffering and doubt convert into oblivious joy , and she is at ...
... speak thick , — Love's counsellor should fill the bores of hearing , To the smothering of the sense - how far it is To this same blessed Milford . In a moment all the stored suffering and doubt convert into oblivious joy , and she is at ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words