Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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Seite 130
... tell him to his teeth , " Thus didest thou . ' But that prospect does not suit Claudius at all ; for what has not Hamlet to tell in return ? We perceive his mind momentarily fum- bling ; it is for the first time : If it be so , Laertes ...
... tell him to his teeth , " Thus didest thou . ' But that prospect does not suit Claudius at all ; for what has not Hamlet to tell in return ? We perceive his mind momentarily fum- bling ; it is for the first time : If it be so , Laertes ...
Seite 157
... tell him .... the rest is silence . he slips peacefully out of life - to the rhythm of the drumbeats of the triumphant approach of the man whose " divine ambition " put him to such shame.82 A last quiet stroke of tragic irony . But the ...
... tell him .... the rest is silence . he slips peacefully out of life - to the rhythm of the drumbeats of the triumphant approach of the man whose " divine ambition " put him to such shame.82 A last quiet stroke of tragic irony . But the ...
Seite 195
... tell him as fast as they can tell it ; the breaking of the rhythm marks the breaking of this close contact of attention ; and his lapse to such detachment from it as Very like , very like ! Stayed it long ? shows us his thought questing ...
... tell him as fast as they can tell it ; the breaking of the rhythm marks the breaking of this close contact of attention ; and his lapse to such detachment from it as Very like , very like ! Stayed it long ? shows us his thought questing ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words