Prefaces to Shakespeare: Introduction. Love's labour's lost. Julius Caesar. King LearSidgwick & Jackson, 1946 |
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... thing that is peculiar to the theater ; if the dramatist cannot work in it , clearly he is no dramatist at all . He soon sees , moreover , that it is the essential thing , which no pag- eantry must be let overshadow , nor mechanical ...
... thing that is peculiar to the theater ; if the dramatist cannot work in it , clearly he is no dramatist at all . He soon sees , moreover , that it is the essential thing , which no pag- eantry must be let overshadow , nor mechanical ...
Seite 245
... thing that does not matter , and delighting in it for its own sake ; and only the more because it is a fictive thing . The imaginative man prefers the unreal to the real ; he can have his will of it . But the chief use of these glimpses ...
... thing that does not matter , and delighting in it for its own sake ; and only the more because it is a fictive thing . The imaginative man prefers the unreal to the real ; he can have his will of it . But the chief use of these glimpses ...
Seite 468
... thing . We hold all the clues ; the surprises are for Cymbeline , Imogen , Posthumus and the rest , not for us . We soon foresee the end , and our wits are free to fasten on the skill of the approach to it . But there is an unexpected ...
... thing . We hold all the clues ; the surprises are for Cymbeline , Imogen , Posthumus and the rest , not for us . We soon foresee the end , and our wits are free to fasten on the skill of the approach to it . But there is an unexpected ...
Inhalt
THE STUDY AND THE STAGE I | 1 |
THE CONVENTION OF PLACE | 8 |
THE BOYACTRESS | 14 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actor answer Antony Antony and Cleopatra Antony's audience Bassanio beginning Belarius better Cæsar character Charmian Claudius Cleopatra Cloten comes contrast Cordelia Court Cymbeline dead death Dover Wilson dramatic dramatist effect Elizabethan emotion Enobarbus eyes father feel Folio Fool Fortinbras Gertrude Ghost give Gloucester Goneril Guiderius Hamlet hath hear heart Horatio Iachimo imagination Imogen inner stage Julius Cæsar Kent King Lear King's Laertes later Lear's leave lines look lord madness matter means mind mother murder nature never once Ophelia Osric Othello pass passion pause Pisanio play play's Players Polonius Pompey Portia Posthumus prose Queen Regan Roman Rosencrantz and Guildenstern scene sense Shake Shakespeare Shylock sight soliloquy sort speak speare speech spirit stage direction stagecraft stand story surely tale talk tell theater thee thing thou thought tragedy turn verse words